Latest review ever! I've been putting off listening to this again and again and again. Their first EP
devils in bedside was so important to me, and still is, but I just couldn't bring myself to listen to their second EP
Black rain because of how disappointed I thought I might be. This is going to be tricky to explain, but let me give it a shot...
Would it lessen your opinion of me if I admitted a large part of what deterred me was their image change? (When they changed to the Roses and big hair.) I think if anyone denies the importance of aesthetics in music, they are either lying a little bit or are unaware of how much it actually means to them. Obviously it can mean more to certain people though, and I accept I am one of those people for whom it is very important. But the music will always be what matters the most, and I must stress that I'm not talking about simply the looks or how attractive a band is, I'm talking about the complete aesthetic picture that the band and their works paint for me.
An aesthetic picture is something very subjective, it's the mental image the band creates in your head, a sum of everything about them and therefore is populated by the music, the song titles, the lyrics, the album artwork, the biographies, and how they look. For me, the lynchpin of if I like an artist or not is if all these fit together and the mental image created, the aesthetic picture, is something I understand in it's direction and purpose.
It doesn't always have to be something deep and meaningful. I listen to a lot of Pop and nonsense bands, but they still have an over aching aesthetic for me that all clicks coherently. And it's why I can't listen to bands like Gazette anymore, their image, the PVs, the song titles, the music all just don't click with the level of "substance" and seriousness the band seem to want to portray.
Now this is all largely irrelevant to 9goats, but I find it all interesting still. My thoughts are still being formulated on the subject and I wanted to talk about it. The aesthetic picture 9goats paint in my head is one of sorrow, solitude and introspection, of the band stumbling down artificially lit and dirty corridors, looking into stained mirrors wearing old black clothes, a bit of eye-liner no more, of creativeness drawn from a broken heart, insomnia and bi-polar depression.
Music is what matters most, and so it is what shapes my aesthetic picture of an artist the most. What I loved about that first EP was how thought provoking the soundscapes on it are. All the instrumentation was less rather than more, the songs seeming to use silence and emptiness to effect as much as actual sound. The songs didn't feel restricted by anything and there was so much meaning packed in every detail.
This all shaped my mental image of the band, but so too the mental image probably added all this extra meaning into the music, and so with Black Rain, I wasn't so much worried about the music loosing it's touch (well I was a little), but more so with the band now dressing and presenting an image so over the top, ostentatious and tacky, that the whole mesh of everything would no longer fit cohesively and I would no longer be able to find the extra layers of meaning in these songs.
Well I decided to bite the bullet anyway and give the album a listen. But I was happy to find that upon checking up on them, they have returned to a more understated look once more. Amateurish and seemingly dated in a way that inspires me again to enjoy what they have to say and offer as artists. (The new look is the one posted at the top of this post).
I'm not exactly sure what my finishing point on all this actually is, so I guess I should move onto the actual music of
Black rain now. ;]
9goats Black Out - Black rain
I did find the CD to be slightly different to their previous output, and sadly not in a wholly positive way. I liked the CD overall, it grows on me with each listen, and it'll probably get quite a few more listens in future, but it certainly failed to capture the magic of
devils in bedside for me.
The opener,
a light, starts off very promising, exactly how I'd want a perfect 9goats sequel to the first EP to begin. The slow build up sets the atmosphere and pace perfectly and is followed by gentle lyrics and sparse guitar. The picking up of the track later on was a bit surprising at first but I think it works. It's the third part of the song that I don't enjoy so much, it seems to lose it's direction for me and ends without any mood or lingering feeling.
SALOME starts off very weak I think, but the chorus really captures the magic of 9goats and will probably become one of my favourite tracks on the CD. The drums are less prominant on this song than some of the others on
Black rain and I think it suits their sound and style much more. This song ends abruptly too. I like to have time to ponder what's going on in 9goats songs, but on this CD you don't often get offered the chance. The songs never wind down or build up in the same way as they do on
devils in bedside.
in the rain is a very solid track. But not exceptional in the way I would hope for. It doesn't toy with song structure in the same way as their best songs do, the chorus doesn't quite get that shiver down your spin and the instrumental breaks aren't as strong or dynamic as they've done previously. I love the outro and fold into the next track
moses, however. It's these bits of non-music in between the core of the songs that I love.
It's a shame it then flows into
ROMEO , as it is by far my least favourite song on the CD and up there with
Lestat as their worst song in my opinion. They wear their Nagoya heritage on their sleeves here, but I don't think it's used intelligently, the verses are just too messy, and although the chorus is again strong, it seems very familiar to ones we've already heard on this CD.
headache doesn't do much for me either. I guess I'm not quite a fan of the dissonant half of 9goat's sound. I don't think they should ditch it, but I think they need to work on it a bit more to flesh it out fully. There are some nice passages here and there, I like the drumming in this track too in places. I think the abrupt ending in this track works well though, as I love the contrast it creates with the beautiful intro for
天使 tenshi, which is definitely my favourite track on the CD. The mournful and downbeat melody in the verses is fantastic. The instrumentation the best on here by far. The chorus isn't as strong as it could be, but this is a song where the verses need to shine through stronger. What sets this song a level above the others here is the soft jazz keys that come in at the end. It's so subtle but just finishes off the piece perfectly. It's these little musical details and subtle shifts of mood and feeling that I crave from their music.
The bonus track
落日 rakujitsu, follows up with more Jazz keys which is a very nice idea, but the Jazz feel in this song seems much more restrictive on it rather than offering an interesting change of atmosphere and ends the album with a somewhat strange feel I think.
Overall it's not a bad album, but the album hints at much more potential then it delivers and I think that's what pains me the most. I only hope their next release will live up to my expectations set by their first!
Thanks for reading!
-Bottle
And if you've never heard 9goats, and even if you adamantly swear you dislike all Visual Kei, I urge you to watch the video below and give
devils in bedside a listen. :]